2024 
CROSSROADS

2023
SEA AiR NTU CCA 

2023
Frieze Seoul

2023
Singapore Art Museum           

2022
Kochi-Muziris Biennale

2022
NTU CCA Residency 

2022
Yeo Workshop       

2022
CROSSROADS Media Art Festival

2021
Gillman Barracks

2020
National Gallery Singapore

2020
Art Science Museum 


Mark
2020. LONG LIVE THE NEW FLE$H
HD video, 16:9 format, colour and sound (stereo), 4 min 30 sec 

An Exercise of Meaning in a Glitch Season
Curated by Syaheedah Iskandar

The video work expands the possibilities for imagining brownness, imaging it into a digital consciousness. It attempts to reconfigure and magnify the presence of the generic, femme-presenting other through computer-generated imagery and data-moshing, inquiring the grounds on would it mean for marginalised identities to be in the matrix. The title is an adaptation of Nicolas Provost’s film Long live the new flesh (2009) in which data moshing is utilised to render a newer visual experience to films. Using it as a catalyst to fragment the visual language of racial, gendered trauma by breaking, morphing, fracturing and compressing frames as an infinite failure to perform in reading the body in the machine.

Images by National Gallery Singapore